“Surplus to requirements”
Locally foraged rust pieces, Topanga Live Oak gall, Black tea on cotton canvas
32 x 50
Anne-Marie’s work exists at the intersection of nature and the remnants of the constructed world, where time, place, and material converge.
Working primarily on textiles, using fabric as a canvas to explore the intersection of nature and decay, her practice honors heritage craft and artisanal dyeing. Rooted in place, her materials are drawn exclusively from the natural world: foraged botanicals, insects, and metals create site-responsive pieces shaped by oxidation, decomposition, and time. Found objects recur as talismans, tracing cycles of nature, transformation and decay, preserving ephemeral states before they disappear.
“Surplus to requirements”
Locally foraged rust pieces, Topanga Live Oak gall, Black tea on cotton canvas
32 x 50
Anne-Marie’s work exists at the intersection of nature and the remnants of the constructed world, where time, place, and material converge.
Working primarily on textiles, using fabric as a canvas to explore the intersection of nature and decay, her practice honors heritage craft and artisanal dyeing. Rooted in place, her materials are drawn exclusively from the natural world: foraged botanicals, insects, and metals create site-responsive pieces shaped by oxidation, decomposition, and time. Found objects recur as talismans, tracing cycles of nature, transformation and decay, preserving ephemeral states before they disappear.
