Tomorrows Flowers
24 × 27
2025 / earth pigments, charcoal on raw canvas with oak frame
Meg Jorgenson is a visual artist based in Pasadena, Los Angeles whose work centers on abstract painting and material-based processes. Her practice explores the interplay between natural figurations and poetic abstraction; offering a meditative space where form emerges gradually through serene restraint and intuitive movements.
With a bachelor’s in apparel design, Jorgenson draws on over a decade in the fashion industry, where she developed a focus on textile design. Her time in textiles refined a sensitivity to surface, form, and visual structure—principles that now underpin her visual language as a painter. Her paintings reflect this foundation, shaped by material awareness, layering, and tonal variation
Jorgenson’s process is rooted in a tactile engagement with foraged materials, including hand-mixed pigments, clays, and botanical dye-based processes that are used in relation to surface texture. Through experimental application, her work reflects an ongoing inquiry into place, memory, and a conscious relationship to landscape through the use of organic material. The result is a body of work that feels viscerally unearthed.
Her first solo exhibition, Asked The Dust in 2020 at Compound Gallery in Yucca Valley, marked a turning point in her career as a self taught painter, and introduced her work to a broader audience. She has since participated in exhibitions throughout the U.S. and abroad, expanding her practice through site-specific installations and wall works.
Jorgenson is currently exploringcontrolled spontaneity—where chance effects of organic mediums meet compositional intention, allowing each work to take shape at the pace of its materials, through repetition, staining, and slow accumulation.
Tomorrows Flowers
24 × 27
2025 / earth pigments, charcoal on raw canvas with oak frame
Meg Jorgenson is a visual artist based in Pasadena, Los Angeles whose work centers on abstract painting and material-based processes. Her practice explores the interplay between natural figurations and poetic abstraction; offering a meditative space where form emerges gradually through serene restraint and intuitive movements.
With a bachelor’s in apparel design, Jorgenson draws on over a decade in the fashion industry, where she developed a focus on textile design. Her time in textiles refined a sensitivity to surface, form, and visual structure—principles that now underpin her visual language as a painter. Her paintings reflect this foundation, shaped by material awareness, layering, and tonal variation
Jorgenson’s process is rooted in a tactile engagement with foraged materials, including hand-mixed pigments, clays, and botanical dye-based processes that are used in relation to surface texture. Through experimental application, her work reflects an ongoing inquiry into place, memory, and a conscious relationship to landscape through the use of organic material. The result is a body of work that feels viscerally unearthed.
Her first solo exhibition, Asked The Dust in 2020 at Compound Gallery in Yucca Valley, marked a turning point in her career as a self taught painter, and introduced her work to a broader audience. She has since participated in exhibitions throughout the U.S. and abroad, expanding her practice through site-specific installations and wall works.
Jorgenson is currently exploringcontrolled spontaneity—where chance effects of organic mediums meet compositional intention, allowing each work to take shape at the pace of its materials, through repetition, staining, and slow accumulation.
